tag:blogger.com,1999:blog-2901718998594157261.post8423928352805649320..comments2023-12-05T08:43:28.176-06:00Comments on Always Come Correct: Malcolm McLaren and the Bootzilla Orchestra - Waltz Darling 1989thecorrectorhttp://www.blogger.com/profile/14301595085290068142noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2901718998594157261.post-34208488897206891702010-05-18T14:03:00.072-05:002010-05-18T14:03:00.072-05:00I can't speak for Texans, but here in Philly, ...I can't speak for Texans, but here in Philly, where both House AND Hip-Hop were bothe HUGE in the late 80's and early 90's, no one in the rap community felt that hip-hop needed more house music. It was more like, "we can reach the masses with this commercial stuff". <br />When Philly radio dropped the "no rap workday", and at the same time labeled "house" as gay music because of RuPaul and all the voguing that took over the club scene, the rap community jumped off that bandwagon.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2901718998594157261.post-67187307838195599512008-11-09T15:05:00.000-06:002008-11-09T15:05:00.000-06:00Wow! thanx a lotmaybe U can share "Fans" albumWow! thanx a lot<BR/>maybe U can share "Fans" albumUnknownhttps://www.blogger.com/profile/09004977685189757024noreply@blogger.com